Quarter Pounder with Cheese
(how to create memorable dialogues)
Quarter Pounder with Cheese Online event Book
Fri Apr 28, 2023 from 07:00 PM to 09:30 PM
2023-04-28 19:00:00 2023-04-28 21:30:00 Europe/Madrid Quarter Pounder with Cheese Reservations on : https://www.billetweb.fr/quarter-pounder-with-cheese1 -- QUARTER POUNDER WITH CHEESE · how to create memorable dialogues ·   - You know what they call a Quarter Pounder with Cheese in Paris? - They don't call it a Quarter Pounder with Cheese? - No, man, they got the metric system there, they wouldn't know what the fuck A Quarter Pounder is. - What'd they call it? - They call it Royale with Cheese. - Royale with Cheese. What'd they call a Big Mac? - Big Mac's a Big Mac, but they call it Le Big Mac.     Many of us remember this iconic dialogue between Vincent Vega and Jules Winnfield in Pulp Fiction. Is it important for the development of the plot? No, but we still remember it.     "The devil is in the details", and that is why we will explore the possibilities of dialogue to expand the psychology of the characters, their ideas, tastes, fears, and particularities which, in the end, are our own. We will leave the narrative aside to explore the scene as an independent dramaturgic unit. ​  APRIL 28 · 7-9.30 pm (CET · Madrid time)    ​ About the … - Global Impro
Timezone : Europe/Madrid

QUARTER POUNDER WITH CHEESE

· how to create memorable dialogues ·

 

- You know what they call a Quarter Pounder with Cheese in Paris?
- They don't call it a Quarter Pounder with Cheese?
- No, man, they got the metric system there, they wouldn't know what the fuck A Quarter Pounder is.
- What'd they call it?
- They call it Royale with Cheese.
- Royale with Cheese. What'd they call a Big Mac?
- Big Mac's a Big Mac, but they call it Le Big Mac.
 
 
Many of us remember this iconic dialogue between Vincent Vega and Jules Winnfield in Pulp Fiction. Is it important for the development of the plot? No, but we still remember it.
 
 
"The devil is in the details", and that is why we will explore the possibilities of dialogue to expand the psychology of the characters, their ideas, tastes, fears, and particularities which, in the end, are our own. We will leave the narrative aside to explore the scene as an independent dramaturgic unit.

 APRIL 28 · 7-9.30 pm (CET · Madrid time) 

 

About the teacher:

Feña Ortalli began his acting career in 2001. In 2006 he created Global Impro, an improv troupe dedicated to national and international collaboration and exchange. He's currently based in Madrid where he performs and teaches with the most important companies in the city; and participates in several international festivals. Since 2011 he writes, edits, and directs Status, a digital magazine about improvisation, published in seven languages. He's also the author of the book Impro: Dynamics of the Unexpected (2018). Since 2001 he has taught and performed in different cities in over 20 countries.

 

 

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